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Sergei Rachmaninov Nocturne No. 3 in C minor

zygis — Wed, 08 Apr 2009 12:00:27 +0000

By John Ogdon

Nocturne No. 3 in C minor sheet music

Sergei Rachmaninov Nocturne No. 2 in F major

zygis — Wed, 08 Apr 2009 11:57:56 +0000

By John Ogdon

Nocturne No. 2 in F major sheet music

Sergei Rachmaninov Nocturne No. 1 in F sharp minor

zygis — Tue, 07 Apr 2009 12:47:40 +0000

The first nocturne in F sharp minor, was written 14-21 November 1887, and has three parts: a beginning and an end in andante cantabile and a central section in allegro. The slower andantes are gentle sections, influenced by Pyotr Tchaikovsky, while the allegro is unnatural and stiff and unusually fast for a nocturne.

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By John Ogdon

Nocturne No. 1 in F sharp minor sheet music

Frédéric Chopin Nocturne C minor Op. posth

zygis — Sun, 15 Feb 2009 13:14:54 +0000

By Vladimir Ashkenazy

Frédéric Chopin Nocturne C sharp minor Op. posth

zygis — Sun, 15 Feb 2009 12:44:30 +0000

By Aldo Ciccolini

Nocturne C sharp minor Op. posth sheet music

Frédéric Chopin Nocturne Op. 72 in E minor

zygis — Sun, 15 Feb 2009 11:12:55 +0000

By Vladimir Horowitz

By Daniel Beliavsky

Nocturne Op. 72 in E minor sheet music

Frédéric Chopin Nocturne Op. 62 No. 2 in E major

zygis — Sun, 15 Feb 2009 10:49:38 +0000

By Dang Thai Son

Nocturne Op. 62 No. 2 in E major sheet music

Frédéric Chopin Nocturne Op. 62 No. 1 in B major

zygis — Sat, 14 Feb 2009 13:41:07 +0000

By Aldo Ciccolini

By Giuseppe Albanese

By Roberto Prosseda

Nocturne Op. 62 No. 1 in B major sheet music

Frédéric Chopin Nocturne in E flat major Op. 55 No. 2

zygis — Fri, 13 Feb 2009 19:13:32 +0000

By Ivo Pogorelić

Nocturne in E flat major Op. No. 2 sheet music

Frédéric Chopin Nocturne in F minor Op. 55 No. 1

zygis — Fri, 13 Feb 2009 19:01:38 +0000

By Vladimir Samoylovich Horowitz

Nocturne in F minor Op. 55 No. 1 sheet music

Frédéric Chopin Nocturne in F sharp minor Op. 48 No. 2

zygis — Fri, 13 Feb 2009 18:47:03 +0000

By Gülsin Onay

By Vladimir Samoylovich Horowitz

Nocturne in F sharp minor Op. 48 No. 2 sheet music

Frédéric Chopin Nocturne in C minor Op. 48 No. 1

zygis — Fri, 13 Feb 2009 18:07:54 +0000

By Nikolai Lugansky

Nocturne in C minor Op. 48 No. 1 sheet music

Frédéric Chopin Nocturne in G major Op. 37 No. 2

zygis — Fri, 13 Feb 2009 17:45:43 +0000

By Pablo Rocchietti

Nocturne in G major Op. 37 No. 2

Frédéric Chopin Nocturne in G minor Op. 37 No. 1

zygis — Fri, 13 Feb 2009 17:33:20 +0000

By Pablo Rocchietti

Nocturne in G minor Op. 37 No. 1 sheet music

Frédéric Chopin Nocturne in A flat major Op. 32 No. 2

zygis — Fri, 13 Feb 2009 17:15:06 +0000

This nocturne is in ternary form with the central section in F minor. The nocturne is among the works of Chopin orchestrated in the ballet Les Sylphides.

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By Edgardo Roffé

Nocturne in A flat major Op. 32 No. 2 sheet music

Frédéric Chopin Nocturne in B major Op. 32 No. 1

zygis — Fri, 13 Feb 2009 15:40:36 +0000

This nocturne is in rondo form. Although not too technically demanding, the nocturne contains an advanced structure. The nocturne utilises a Picardy third in the coda.

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By Jake Logan

Nocturne in B major Op. 32 No. 1 sheet music

Frédéric Chopin Nocturnes in D-flat major Op. 27 No. 2

zygis — Fri, 13 Feb 2009 11:50:36 +0000

By Janne Mertanen

By Nikolai Lugansky

Nocturnes in D-flat major Op. 27 No. 2 sheet music

Frédéric Chopin Nocturnes C-sharp minor Op. 27 No. 1

zygis — Fri, 13 Feb 2009 10:59:10 +0000

By Maria Joao Pires

Nocturnes C-sharp minor Op. 27 No. 1 sheet music

Frédéric Chopin Nocturne in G minor Op. 15 No. 3

zygis — Fri, 13 Feb 2009 10:26:42 +0000

The piece begins with a slow lento tempo and is written in 3/4 time. The right hand part is composed of simple eighth and quarter note patterns, followed by a chromatic rise and fall. The left hand part maintains quarter note patters to support the right hand, with pedal marks every six notes. The ending part of the piece is marked religioso and uses legato chords in the Right hand part. The piece also has incredible dynamic contrast, ranging from fortissimo to pianissimo.

The piece departs from the ternary form usual in a Chopin nocturne. The concluding section is not only unrelated thematically to the opening one but in a different key (F major). The last four bars return to G minor, though the final chord is major, as is usual in a Chopin nocturne.

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By Maurice van Schoonhoven

Nocturne in G minor Op.15 No.3 sheet music

Frédéric Chopin Nocturne in F sharp major Op. 15 No. 2

zygis — Fri, 13 Feb 2009 09:03:23 +0000

By Krystian Zimerman

Nocturne in F sharp major Op. 15 No. 2 sheet music

Frédéric Chopin Nocturne in F major op. 15 No. 1

zygis — Fri, 13 Feb 2009 08:53:43 +0000

Composed in (A-B-A) form i.e.the simple ternary form as most of chopin Nocturnes. The first section is in F major (Andante Cantabile), the second is In F minor A fast and dramatic Tempo (Con fuoco). Moderate in difficulty level¬ too much ornamented.
It was dedicated to Mr. Ferd. Hiller.
Composed in 1832.

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By Vestard Shimkus

Nocturne in F major op. 15 No. 1 sheet music

Frédéric Chopin Nocturne in B major Op. 9 No. 3

zygis — Fri, 13 Feb 2009 08:29:05 +0000

Nocturne in B major Op. 9 No. 3 is in the ternary form A-B-A .the first section (Allegretto). The second contrasting section (Agitato) is a very dramatic one with a combined melody & counter – melody in the right hand and triplets in the left hand throughout this section which needs a great amount of virtuosity. The piece is full of coloratura ornaments, and ends with a wide chord in the left hand accompanied with (senza tempo) right hand triplets in a high octave to lead to a legatissimo smorzando adagio.

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By Vadim Chaimovich

Nocturne in B major Op. 9 No. 3 sheet music

Frédéric Chopin Nocturne in B-flat minor Op. 9 No. 1

zygis — Fri, 13 Feb 2009 08:14:05 +0000

Nocturne in B-flat minor Op. 9 No. 1 has a rhythmic freedom that came to characterise Chopin’s later work. The left hand has an unbroken sequence of quavers in simple arpeggios throughout the entire piece, while the right hand moves with freedom in patterns of eleven, twenty, and twenty-two notes. The opening section moves into a contrasting middle section, which flows back to the opening material in a transitional passage where the melody floats above seventeen consecutive bars of D-flat major chords. The reprise of the first section grows out of this and the nocturne concludes peacefully.